LIJENŠTINA

Miloš is still living with his mother. She also does his laundry and watches every cent to be able to cook for him. He, on the other hand, likes to hang out in the café, with his friends or alone. Although he studied architecture, he is unemployed. He isn't allowed to see his little son as long as he doesn't pay his ex-wife alimony. But when he tries to find a job, he is constantly having doors slammed in his face or dealing with a personnel manager who, in case of doubt, would rather give the job to the sons of old friends rather than to him. A refreshingly authentic feature film debut reminiscent of the Yugoslavian "Black Wave" of the 1960s. WMH